In 1840, a law was enacted that allowed Jews to settle even in the free royal cities of Hungary. In line with these progressive ideas, the Neolog synagogue in Székesfehérvár was built between the spring of 1863 and the autumn of 1864, designed to accommodate 400 people, at 1 Rákóczi Street. The name of the architect is unknown, but it is believed that an Italian master reimagined the Budapest Dohány Street synagogue for the threshold of Fehérvár’s city center. The master builder was Ferenc Szász, and the building was officially inaugurated on September 23, 1864.

The National Memorial Place keeps so many mysteries that would also be enough for one long tour. The church witnessed 38 coronation ceremonies and 15 royal funerals, after its destruction the graves were destroyed; the bone finds which appeared during the excavations have been guarded in the Ossuary. It can be visited in the middle of August in every year.

Next to the Town Hall, the statue of Mujkó is balancing in the air. It is Balázs Kocsis’s piece of art. He was the jester of Matthias king, whose position is very special in many aspects.

The most well-known symbol of Székesfehérvár is Béla Ohmann’s piece of art, however its inscriptions’ significance is not known for everone. The dates under the lions represent important things: 1001- St Stephen’s coronation, 1688- the liberation of the town from the Turkish reign, 1938- 900th anniversary of St. Stephen’s death.

The Holy Crown, the Orb and the coronation sword are kept upstairs in the baroque building of the Town Hall.

A kőlemezekkel burkolt talapzaton elhelyezett lovasszobor az első világháborúban elesett fehérvári huszároknak állít örök emléket. A bravúrosan elhelyezett alkotás Pátzay Pál műve. A szobor a 10-es huszárok tisztikarának megrendelésére készült, egy kardot tartó mezítelen lovast ábrázol. 1939-ben avatták fel, amellyel megemlékeztek a Limanowai ütközetre, az I. világháború egyik legvéresebb csatájára.

The cathedral had been built on the highest point of the town, Béla IV made it build in his younger age, he was crowned here as well.

The oldest intact medieval building of Fehérvár. The single nave chapel with a rose window above its entrance, has remained intact during the centuries.

Under the famous Clockwork, in the Museum more hundreds clockworks commemorate the passing time. In the arched rooms large number of wall clocks, table clocks, pocket- and wrist watches, even a 17th-century tower- clock apparatus can be seen.

The sign of the gallery is remarkable: a figure is sounding the trombone and pointing at the Pelikán hall. Seasonal, free exhibitions of contemporary artists’ works are organized here. At the beginning of the 19th century the theatre-hall stood on the site of the present court of the building.

Dezső Erdey sculptor made this jagged wrought-iron artwork standing on a stone base. It was erected in the place of the former drinking well.

It is a one-storey, Louis Seize style building. The eponymous and the owner of the building was Budenz József, founder of the Finno-Ugric comparative linguistics.

It is a one-storey, Louis Seize style building. The eponymous and the owner of the building was Budenz József, founder of the Finno-Ugric comparative linguistics.

Néhány évtizede még a város „élő legendája” volt Kati néni, aki mit sem sejtett abból, hogy egyszer szobrot állítanak neki, s ezzel örökre bevési magát a város kulturális és közösségi életébe. Olyannyira kitüntetett szerepet kapott, hogy alakját egy városi babona is övezi: aki megsimogatja az orrát, szerencsével jár.

As a result of Éva Moskovszky ’s and her mother, Erzsébet Auer’s collection, we can discover the interior of different ages and styles in fancy doll rooms.

The visual elements of the splendid fresco room in the small Esterházy palace reflect on the ceiling as well.

The gallery guards Vilmos Aba- Novák’s panno: Hungarian -French Historical Connections- it won a gold medal in 1937 at the World Fair in Paris.

The old walls of the buildings in Bartók Béla Square guard the famous Hungarian scientists’ and artists’ memory.

The prestigious pharmacy in the downtown- now it is a museum.

On the facade of the one- storey, classicist building, the eponymous black eagle relief can be seen. It was a popular site of the town’s social life both as an inn and hotel.

Once in the square, the Buda Gate of the fortress of Fehérvár was standing. On the national flag the angels holding the Holy Crown, on the altar a carved picture of Hungary can be seen.

The stones on the ground remind us Bernát Grosz and his family.

At the foot of the housing estates a tiny street guards the atmosphere of the 17th-18th- century Rácváros- (Serbian town) – where once craftsmen, tradesmen lived.